There are precious few figures in pop music history who can truly be called Icons: singular performers who are without peer. Artists like David Bowie, The Beatles, or Miles Davis, whose legacies overshadow all contemporaries and transcend generations.
There is no mistaking that Johnny Cash is one of these artists. But one of the biggest reasons his legacy survived as well as it did was his late-career partnership with producer Rick Rubin, who cut his teeth working with hip hop and metal acts like the Beastie Boys, Public Enemy, and Slayer. On paper, the two seem like the strangest bedfellows you could put together. But throughout the American Recordings series, Rubin demonstrated a keen instinct for bringing Cash’s ragged performances to life.
While all of the albums released in the series are littered with gems, none are quite as packed as The Man Comes Around, the final album Cash would release before his death.
