Record #751: The Appleseed Cast – Two Conversations (2003)

If I seem to be contradicting myself across the different narratives I tell about how I got into the Appleseed Cast, it’s because my relationship with the band is a little contradictory. We had many passings with one another before I finally fell in love with the project, and each of those feel like a fitting introduction for a story about how someone fell in love with one of their favorite bands.

But perhaps the most impressing of those introductions was the track “Fight Song,” a driving, passionate lament that cut me to the core when I first heard it. I was already familiar with the group after hearing them on a few Deep Elm compilations, but I had never dug further. “Fight Song” convinced me that they were a band that was worth the attention.

Unfortunately, it came at a time when I was setting aside the emo/punk/hardcore scene as a whole and branching out into other genres, and so I missed it at the time. Luckily, there’s always still time.

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Record #750: Chris Stapleton – Traveller (2015)

There is a common thread in the world of musical appreciation that people will write off Country music with absolute prejudice.

Admittedly, much of it is deserved: the genre has been dominated by watered-down Southern twanged pop music for the last few decades. I don’t blame anyone for hearing Rascall Flatts or Keith Urban and wanting nothing to do with it.

But the songs topping the country charts are a poor representation of the genre—which is itself deep and rich, full of tragic storytelling, wonderful musicianship, and skillful songwriting.

Ever since catching his incredible SNL performance of “Parachute,” Chris Stapleton has been my prescription for anyone who dismisses country music wholesale. And so far, that treatment has a 100% success rate.

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Record #749: The Appleseed Cast – Mare Vitalis (2000)

Across their near twenty-five year career, The Appleseed Cast has cemented themselves as a band that can do no wrong. Their work has consistently exceeded expectations, pushing their songwriting, instrumental performances, and inventive production to the limit with each release.

But what’s sometimes difficult to remember is just how quickly they jumped to that level, as seen by their 2000 full-length Mare Vitalis, a masterwork that demonstrates the group’s ability to blend emo expressiveness and post-rock atmospherics, seasoned with some bursts of post-hardcore to taste.

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Record #748: The Jimi Hendrix Experience – Electric Ladyland (1970)

Whenever a new technology makes its way into music—such as autotune, synthesizers, samplers, or drum machines—it’s often accompanied by a chorus of naysayers saying things like, “you’d never see a REAL musician like Jimi Hendrix using that crap.”

They’re really betraying their own ignorance there, as Hendrix had absolutely no qualms about utilizing whatever new technology he could get his hands on. This is most demonstrated on the last album he made before his death, the massive double album Electric Ladyland. While the Experience had plenty of psychedelic elements on their two previous albums, Electric Ladlyand dives headlong into studio weirdness and compositional surrealness, offering an album that is as rewarding as it is imposing.

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