Record #194: Godspeed You! Black Emperor – Lift Yr. Skinny Fists Like Antennas to Heaven (2000)

While critics of post rock often hold up Explosions in the Sky as the face of the genre’s more overly sentimental tendencies, Godspeed You! Black Emperor is cited as its overly ambitious, abstract dark side. And while this is true, like most criticisms of post rock, it also can serve as great praise. 
They have more in common with classical symphonies  than movie soundtracks, their narratives are more abstract than visual. Likewise, their presence is closer to that of an orchestra than a rock band,
​And on Lift Yr. Skinny Fists like Antennas to Heaven, the strength of the work matches the height of their ambitions. The record is two discs, and each side is a single work with several movements. While much of the album arranges and rearranges the same eerie, droning textures, guitar-based post rock, and vocal samples, Lift Yr. Skinny Fists… mostly showcases the vastness of GY!BE’s template.
​The opening minutes present the some of the purest jubilance that post rock has ever offered the world. Later, mourning violins and a screwdriver-fretted guitar weep under a pastor’s homily. “When you penetrate the most high God, you will believe you are mad. You will believe you’ve gone insane,” he proclaims. And as the record traffics through neo-classical, downtempo guitar jazz, sludging stoner rock, thrash metal, it seems that perhaps GY!BE really has seen the face of God. And it is their duty as artists to show what they have seen. 

Record #193: The Appleseed Cast – Low Level Owl: Vols 1& 2 (2001)

The Appleseed Cast can be a strange beast to pin down. When I first heard them on various Deep Elm Records samplers, they were obviously an emo band. Then in college, when a friend sent me “Fight Song” off of Two Conversations, I put it on my indie rock playlist in iTunes.

Then most recently, the drummer in my band referred to them as one of his favorite post rock bands. And now, as I’ve rediscovered their magnus opus, a sprawling two volume opus on three discs, I’ve found that none of those are that far off.

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Record #192: George Harrison – Living in the Material World (1973)

In the three years after their break up, it became obvious that none of the Beatles were going anywhere. John got over his weirdness and got back to rock music. Paul responded to the backlash of the homespun McCartney with the incredible Ram, then form Wings. Ringo released a country record (?!?). And after the releasing the sprawling deluge of All Things Must Pass and organizing and recording the massive humanitarian Concert for Bangladesh at the Behest of his mentor Ravi Shankar, George Harrison no longer had anything to prove.

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Record #191: George Harrison – All Things Must Pass (1970)

The Beatles were over. McCartney had made a press release announcing it, followed a week later by his first solo record, which was derided as a disappointing, half-baked affair. The magic was over. The good days were all behind us. And while the Fab Four may all still be releasing music, nothing they made could have topped what they did together.

But for George Harrison, the dam had burst.

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Record #190: Deerhunter – Monomania (2013)

As I have mentioned before, Cryptograms is my favorite Deerhunter record. Its more ambient passages are absolutely transcendent in a way that so many shoegaze/dreampop bands fail to emulate better.

But, as I have mourned, as Bradford Cox & Co. continue making music, they slip further and further away from the glistening haze they crafted so masterfully and more towards direct pop rock.

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Record #189: Genesis – Invisible Touch (1986)

The very first thing you notice about Invisible Touch is just how poppy it is. Which isn’t too surprising–the two records before it had some great pop numbers with prog flares thrown in to keep things interesting, like Abacab’s great No Reply At All or the Home by the Sea suite from Genesis, reflective of what groups like The Police and Talk Talk were doing around the same time on Ghost in the Machine and The Colour of Spring (which are both masterpieces).

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Record #188: Fugazi – Red Medicine (1995)

Even with as long as I’ve listened to Fugazi, I am almost completely unfamiliar with Red Medicine. In fact, the only thing I hear when I think of the album is the super-gained choppy intro and the chorus of opener Do You Like Me? Purchasing the vinyl (and cassette! Gotta love overstock on record companies’ websites) was an act intended to force me to spend time with the record. Well, that and to fill in the two gaps in my collection (Steady Diet of Nothing, I’m coming for you).

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