Record #974: Miles Davis – Jack Johnson (1971)

Jazz is a difficult realm for completionists—especially when you’re dealing with cats like Miles Davis. Jazz players were notorious for recording everything, and almost all of those records have something notable to justify collecting it. But there’s so much to sort through.

While my own jazz collecting has mostly focused on Davis’ electric period and the work his band members (e.g., Herbie Hancock, John McLaughlin, Chick Corea…) were doing, there’s one important piece that had escaped my collecting until recently.

That is Jack Johnson, a celebration of Black Excellence originally commissioned as a soundtrack for a documentary about the titular champion boxer, who famously shrugged off threats from the KKK to lay down to white opponents.

But perhaps my own interest in it is that this is the only time that Davis collaborated with Sonny Sharrock, my favorite jazz guitarist—even of Sonny was uncredited.

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Record #873: Miles Davis – On the Corner (1972)

There’s no point in debating the point that Miles Davis is the most important figure in jazz. No one else is as widely recognized outside of jazz circles nor as influential within them. Throughout the trumpeter’s five-decade career, he pioneered a number of movements, ushering in fundamental shifts in what jazz was. After cementing his status as a bebop great, he went on to pioneer cool jazz, then changed the face of jazz by embracing rock music, psychedelia, electronic instruments, and experimental recording techniques.

That experimental streak was perhaps never as fierce or fearless as on On the Corner, which saw him taking the heroin-hot mania of Bitches Brew and the extended-form ambience of In a Silent Way and distilling them into a dystopian block party.

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Record #575: Miles Davis – My Funny Valentine (1965)

In the grand scheme of Miles Davis’ immense, indelible catalog, there is not necessarily anything particularly special about My Funny Valentine. But, it was the first Miles Davis record I owned (because I found this copy for cheap ten years ago), and for a while, it was the only Davis record I owned.

But it was also recorded fifty-five years ago today, which is a happy accident. Continue reading

Record #574: Miles Davis – Kind of Blue (1959)

Miles Davis once said that you could sum up all of jazz history in four words: “Louis Armstrong, Charlie Parker.” And as elegantly concise as that history may be, it ignores the “Prince of Darkness” himself.

No individual left a larger footprint on jazz—or perhaps music history overall—than Miles Davis. And Kind of Blue, his most popular record—and most popular jazz record ever—demonstrates his mastery as a composer and a bandleader.

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Most American Albums Ever

Oh, beautiful for spacious skies, amber waves of grain, and some seriously kickass music.

The United States has been the muse for thousands of songs, whether they be celebratory, critical, or somewhere in between.

Today, in honor of our independence, I’m listing off some of my favorite albums that are unmistakably American.  Continue reading