Record #759: The Beach Boys – The Beach Boys Love You (1977)

Across the history of popular music, few minds have created music as beautiful, infectious, and moving as that of Brian Wilson. But that mind was also intensely fragile, leading to bouts with mental illness that were so serious he had to withdraw from the creative process, often for years at a time.

During one such stint, Brian’s psychiatrist encouraged him to combat his idleness by working on new music. The resulting project (originally intended to be a solo record) is one of the strangest entries in the Beach Boys’ extensive canon. But for all of its absurdity, it is incredibly rewarding for anyone who accepts it on its own terms.

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Record #677: Mike + The Mechanics – Mike + The Mechanics (1985)

At times, Genesis feels less like a progressive rock band and more like Xavier’s School For Gifted Solo Pop Artists.

Of course there’s the original frontman, Peter Gabriel, who perfected the pop record in 1986’s So. His replacement, Phil Collins, crafted such heartfelt pop that 30 Rock once claimed—correctly—that all that is necessarily to enjoy him is “two ears and a heart.”

In the shadow of such massive monoliths, it makes sense that Genesis guitarist Mike Rutherford would be overlooked. In fact, I didn’t even know he had a solo career until I found this album in a box of freebies. But at first listen to his debut Mike + The Mechanics, Mike makes it clear that he’s just as capable.

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Record #679: Kraftwerk – Electric Cafe (1986)

By the mid ’80s, mechanical, inhuman synthpop that Kraftwerk pioneered had gone from an avant-garde experiment to the main stream. Artists like the Human League, New Order, and even Madonna had already taken the same artificial instruments and turned them on pop music.

And so when Kraftwerk released Electric Cafe, it was in a world where electronic music wasn’t just made by robots anymore. The adjustment is a little difficult, but it’s more rewarding than not.

Read more at ayearofvinyl.com #kraftwerk #krautrock #electronica #avantgarde #synthpop #vinyl

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Record #664: Electric Light Orchestra – TIME (1981)

The 1980s saw a lot of rock and roll stalwarts trading in their electric guitars and drum sets for synthesizers and drum machines. Not even hair metal heroes like Van Halen were safe from the new wave revolution.

Even so, it stung a little harder when Electric Light Orchestra traded in their strings and horns for analog synthesizers.

However, it’d sting a whole lot more if the songs weren’t so damn catchy.

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Record #480: David Bowie – Let’s Dance (1983)

let's dance.jpgBy the beginning of the 80s, David Bowie had been through enough career turns to make the most accomplished musicians dizzy. He had cut his teeth with Dylan-esque space folk before moving onto theatric art pop, glam rock, plastic soul, sci-fi disco, and harrowing Krautrock.

There wasn’t a lot of space that Bowie hadn’t already explored. So he set his sights on the best dang pop a man could create.

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