Record #677: Mike + The Mechanics – Mike + The Mechanics (1985)

At times, Genesis feels less like a progressive rock band and more like Xavier’s School For Gifted Solo Pop Artists.

Of course there’s the original frontman, Peter Gabriel, who perfected the pop record in 1986’s So. His replacement, Phil Collins, crafted such heartfelt pop that 30 Rock once claimed—correctly—that all that is necessarily to enjoy him is “two ears and a heart.”

In the shadow of such massive monoliths, it makes sense that Genesis guitarist Mike Rutherford would be overlooked. In fact, I didn’t even know he had a solo career until I found this album in a box of freebies. But at first listen to his debut Mike + The Mechanics, Mike makes it clear that he’s just as capable.

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Record #189: Genesis – Invisible Touch (1986)

The very first thing you notice about Invisible Touch is just how poppy it is. Which isn’t too surprising–the two records before it had some great pop numbers with prog flares thrown in to keep things interesting, like Abacab’s great No Reply At All or the Home by the Sea suite from Genesis, reflective of what groups like The Police and Talk Talk were doing around the same time on Ghost in the Machine and The Colour of Spring (which are both masterpieces).

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Record #186 – Genesis – Abacab (1981)

My understanding of Genesis’ place in rock history is a little fuzzy, but if classic rock radio is any indicator, Genesis mostly served as a breeding grounds for two of the most dynamic and exciting solo artists of the 80s. And given that this is the group’s eleventh full length (released after Phil Collins’ debut solo record at that), it tells very little about the ideas that either Collins or Peter Gabriel were wanting to explore that couldn’t do so within the confines of Genesis. And given that everything I’ve read on Wikipedia states that it showcased the band continuing toward radio-friendly rock, it tells even less about their prog rock tendencies.

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