Record #794: The Armed – Ultrapop (2021)

Genre alchemy gets into diminishing returns pretty quickly. While fusion was once incredibly revolutionary, the internet has hastened the pace of these reactions so that there’s almost no crossover that hasn’t been tried.

We’re almost two decades past the advent of Girl Talk, whose genre-defying mashups saw acts like Fleetwood Mac, Ludacris, The Ramones, Lil Missy, Radiohead, Jay-Z, and Metallica featured on the same track. Babymetal debuted eleven years ago. Ill-conceived chimeras like crunkcore and emo rap are now old enough to vote. Then you have the entire crop of bands blending metal with shoegaze, post-rock, spirituals, and even Azerbaijani folk music.

Genre-bending alone isn’t enough to make compelling music.

So it’s a good thing that Ultrapop has much more to its credit, because this is one of the freshest takes on genre fusion in a long time.

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Record #550: METZ – METZ (2012)

For all of its simplicity, there’s something about punk that’s just slightly inaccessible.

If it keeps too close to the formula, it’s derivative. If it strays too far, or even if it has the right sonics but the wrong attitude, it’s a sell out.

Even if a band captures all of the fury and wrath of punk live, capturing that energy on record is as difficult capturing lightning in a jar.

But nobody must have told METZ.

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