2021: Best of the Year

2021 was a spectacularly immense year for music. It felt like all of the bands who weren’t able to tour last year spent 2020 writing and recording new albums. Then this year, they released them.

With such a flood of new music, it’s worth noting that almost every year end list I’ve seen looks entirely different. Many publications that I could usually predict with decent accuracy (NPR, Pitchfork, etc) listed dozens of albums that I never even heard of. I listened to more music this year than ever before, but I’ve never been so aware of what I was missing. Many albums that I would have/should have liked were released to widespread acclaim (i.e., Quicksand, Every Time I Die, Low, Maybeshewill, Failure, the list goes on) and yet I watched them go by, my attention already stretched to its limits.

In any case, here are the records that really grabbed me this year.

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Record #790: Manchester Orchestra – The Million Masks of God (2021)

As I have mentioned many times before, I somehow went a decade and a half without hearing Manchester Orchestra, despite hearing their name constantly. I decided to change this last year and instantly became a fan.

And just in time too, because shortly after that point, they released The Million Masks of God, a dazzling technicolor spectacular that is as catchy, aggressive, lush, heavy, and emotive as anything they’ve ever released.

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Record #789: Manchester Orchestra – Simple Math (2011)

I am a relative newcomer to Manchester Orchestra. Despite hearing their name for the greater part of a decade—often while they were touring with some of my favorite bands—I had never listened to them until last year. However, that proved fortuitous in a way, because my discovery happened just before the repress of Simple Math. My initial inquiries suggested that this album was the fan favorite, but high prices on the resale market caused me to ignore it for a bit…which explains my backward path through their discography.

Based on that trajectory, both A Black Mile to the Surface and Cope were far poppier and folkier than I was expecting based on their reputation. Simple Math, however, starts to bring the picture into focus a bit more, marking a turning point from the band’s scrappy origins to their big-budget sheen of newer albums.

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Record #726: Manchester Orchestra – A Black Mile to the Surface (2017)

I recently wrote about how surprised I was to discover that Manchester Orchestra had a thick layer of folksiness on top of what I was expecting to be an emo-leaning catalog.

The most jarring part of that realization came as a result of seeing a number of tracks from A Black Mile to the Surface in their top tracks on Spotify and deciding to start there. And boy, was the stripped down, Gospel tinged “The Maze” a huge wake-up call. In fact, I’m pretty sure that song has played on my Fleet Foxes Pandora station…

After I got over the shattering of my expectations of what Manchester Orchestra was, I found myself listening to an incredibly rewarding album. While not every track is quite as subdued or rustic, that sensibility covers even the most aggressive songs on this disc.

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Record #725: Manchester Orchestra – Cope (2014)

A few months ago, I realized that despite years of guest features, tours with bands I love, and general cultural osmosis, I had never actually knowingly listened to Manchester Orchestra.

A shocking omission, I know. And I’m not totally sure how I managed to pull it off. But upon the realization, I set off to correct it as soon as I could. Which proved to be a daunting task—with five full lengths, several EPs, and a number of collaborative projects, Andy Hull & Co. has made a massive impact on the indiesphere (massive enough for me to feel like I was already a fan, in fact).

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