Record #675: Jars of Clay – Much Afraid (1997)

Let’s get one thing straight right out of the gate: I love this album. Wholly, completely, and without irony.

It’s not just a nostalgia thing either: despite Jars of Clay’s mainstream success in the mid 90s, I didn’t get into them until a decade later (when I stole all of my mom’s JoC CDs after graduating high school). Even after getting into more respectable music, I’ve always loved Jars of Clay. They’re not just good for a CCM band—they’re good period.

And even in the midst of a long and consistent career and in the shadow of a widely celebrated debut, I think their sophomore release, Much Afraid, has always been my favorite.

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Record #442: Kings Kaleidoscope – Becoming Who We Are (2014)

becoming who we areOnce upon a time, the Church was the center of all high art. Most important musical and artistic works during the Renaissance were commissioned by the Church to announce the mysteries of the Divine.

But over the last few hundred years, things have changed. Christian art is now the realm of cheap, oversentimental schlock that sells on sentiment alone.

Kings Kaleidoscope has had enough of it.

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Record #113: Danielson – Tri-Danielson, Vol. 1: Alpha (1998)

If you don’t know who Danielson (slash Danielson Famile slash Danielson Family slash Brother Danielson slash Daniel Smith) is, you might not be interested at all in his music, which sounds something like a gypsy family band fronted by a helium voiced Gospel camp preacher. Once, while listening to the Omega disc of this double project on my iPod, I took an ear out and put it in a friend’s ear without any warning about what he might here. His face turned from curiosity to displeasure as he said, “why would you do that to me?”

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