Among the annals of indie rock, there are few bands like The National.

Despite the rich, almost folksy songwriting, the songs are accompanied by angular electric guitars and rushing drums rather than an earthy, acoustic-based sonic palette. Despite the kinetic energy of the band, singer Matt Berninger’s voice rarely strays from a rich baritone, avoiding the yelps and howls that most frontmen would employ when paired with a band of such energy.

High Violet, their fifth album (which celebrated its tenth anniversary this week!) was my entry point to the band, and what an entry point it is. Across the eleven tracks, it showcases everything that the National does better than anyone. Continue reading →