Record #570: HUM – Downward is Heavenward (1998)

HUM may have never gotten much mainstream recognition, but you’d never guess their cult status based on the pantheon of groups that list them as an influence. Their huge, earth-shattering brand of space rock influenced groups from Deftones to Hopesfall to Cloakroom to Smashing Pumpkins (who some accuse of getting famous off of HUM’s template).

Most people point to their seminal record You’d Prefer An Astronaut as their finest work. And while they pioneered their trademark sound on that record, their swansong Downward Is Heavenward is a much heavier and more cohesive record.

Continue reading

Record #561: Chastity – Death Lust (2018)

For the last few years, it’s been suggested by a number of music snobs (or at least by me) that we’re currently in a post-genre landscape.

While the dividing lines between, say, dream pop and post-hardcore have generally been laid out pretty clear, these days there’s so much cross-pollination between influences that music taxonomy is an almost fruitless undertaking.

Case in point: Death Lust, the debut record from Canadian solo project Chastity. When I went to add the files to my iTunes, the cursor sat in the “genre” tab for several minutes, blinking mockingly at me as I tried to put a name to this (I copped out and settled on “alternative”). Continue reading

Record #549: Alcest – Écailles de lune (2010)

Black metal has been undergoing a bit of a revolution in the last few years. Bands like Deafheaven, Wolves in the Throne Room, and Lantlôs have been augmenting their metal chops with elements of post rock and shoegaze. It’s a simple formula, but surprisingly effective.

But at the forefront of the “blackgaze” movement is a French group called Alcest, who wrote much of the blueprint on their breakthrough record Écailles de lune. 

Continue reading

Record #538: Dinosaur Jr. – Bug (1988)

A few months ago, I realized that I had somehow never intentionally listened to indie rock legends Dinosaur Jr.

I was familiar with their legacy, of course. I had heard the name thrown around by most of my favorite bands as an influence. I knew J. Mascis’ reputation as a guitar icon. But I never spent any time with them myself.

That revelation was the impetus to a deep dive into their discography, and a purchase of their classic second album, You’re Living All Over Me. And now, the Dinosaur Jr. section of my record collection grows with the addition of their third, Bug. Continue reading

Record #528: M83 – Hurry Up, We’re Dreaming (2011)

If ever there was a post rock crossover pop hit, it’s M83’s Hurry Up, We’re Dreaming. 

This record debuted at number fifteen on the Billboard Top 200. The bouncing single “Midnight City“, complete with a screaming saxophone solo, was ubiquitous. The group appeared on a number of late night talk show performances. Songs were played in commercials and movie trailers.

This is only made more impressive by the fact that it’s a double album by a band that made their name playing synth-driven drone music.

Continue reading

Record #519: Lume – Wrung Out (2018)

Lume Wrung Out vinylIf you’ve been following along for any length of time, you’ve probably picked up on the fact that I’m almost automatically a fan of anything with huge, thick walls of guitar noise.

It doesn’t matter if we’re talking about shoegaze, space rock, post rock, blackgaze, sludge metal, or whatever brand of guitar rock Lantlôs is putting out. If the guitars are loud, fuzzy, and slathered in reverb, I’m here for it.

So naturally, as soon as I heard the new album from Lake Michigan-area outfit Cloakroom, I was here for it.

Continue reading