If you picked up Men At Work’s sophomore album Cargo looking for anything like their smash novelty hit “Down Under,” you’d be sorely disappointed.
Of course, the single wasn’t a great representation of Business As Usual either, but Cargo separates itself even further.
A hit single can be a huge boon for a new band. It can launch their career like a jet engine, putting them in front of a huge audience.
But it can also be an albatross, painting listeners’ perception of your work. Perhaps there’s no greater example of this curse than Men At Work’s “Down Under,” which hit number one in a handful of countries around the world—despite being a poor representation of their debut album.