Record #684 – Cloud Nothings – Attack On Memory (2012)

There was once a point in my life where most of my music was discovered through Pitchfork.com’s Best New Music section. Trashy hipster hellscape Pitchfork may be, I made a number of great discoveries there, such as Grizzly Bear, Diiv, St. Vincent, and even Deafheaven.

I mention this only because for the life of me, I don’t understand how I missed this album when it came out, as highly regarded as it was by the publication that I held in such high regard. I know I gave it some listen, but there must have been some sort of denseness to it that demanded a closer inspection that I always intended to give it, but it was always just outside my grasp.

But a few days ago, I decided it was finally time for that deep dive, and what a rewarding dive it’s been.

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Record #634: The Dingees – The Crucial Conspiracy (2001)

In the summer between eighth grade and freshman year of high school, I gained possession of a Tooth & Nail compilation entitled Songs From the Penalty Box, Vol 4That CD was my introduction to a number of bands that would change my life, such as Squad Five-O, Blenderhead, Craig’s Brother, Calibretto 13, and The Juliana Theory.

But nestled at the very end of the compilation was a track called “Spraypaint (We Won’t Carry Over),” a riotous blend of garage rock, punk, and ska that entranced me. And for the last several years, I have been trying unsuccessfully to track down a vinyl copy, without success.

Then last week, a record store on the East Coast discovered a box of copies that they just forgot to open. And so, I have finally added this masterpiece to my collection.

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Record #628: Nai Harvest – Hairball (2015)

These days, I generally treat my record budget with a level of judiciousness. Every dollar is precious, so I typically don’t make any purchases without thoroughly vetting each album in my wantlist, listening and relistening until I feel confident enough to pull the trigger.

But every once in a great while, I’ll take a risk, such as the 5-for-$25 random bundle from Topshelf Records that landed me this record and Mock Orange (among others). But if this were the only worthwhile record in the bunch, it still might have been worth it.

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Record #610: Melvins – Houdini (1993)

Across music history, there are scattered acts that never got the mainstream attention that they deserved, but they influenced legions of bands.

Bands like The Velvet Underground, of which it was once said, “[they] didn’t sell many records, but everyone who bought one went out and started a band.”

Among slow, lurching metallurgists, few bands are is influential as the Melvins.

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Record #580: Minor Threat – Minor Threat (1984)

Before Fugazi became the best punk band in the world, and before Embrace essentially invented post-hardcore, Ian MacKaye fronted what may be the single most iconic hardcore band of all time.

This 1984 release compiles the seminal straight edge band’s blistering first two EPs into a single 12″, and those songs are just as visceral and frantic as they were in the early 80s.

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Record #561: Chastity – Death Lust (2018)

For the last few years, it’s been suggested by a number of music snobs (or at least by me) that we’re currently in a post-genre landscape.

While the dividing lines between, say, dream pop and post-hardcore have generally been laid out pretty clear, these days there’s so much cross-pollination between influences that music taxonomy is an almost fruitless undertaking.

Case in point: Death Lust, the debut record from Canadian solo project Chastity. When I went to add the files to my iTunes, the cursor sat in the “genre” tab for several minutes, blinking mockingly at me as I tried to put a name to this (I copped out and settled on “alternative”). Continue reading

Record #560: mewithoutYou – [Untitled] (2018)

After the release of the doomgazy single “Julia” and the subdued [untitled] e.p.,  speculation was high as to what the forthcoming [Untitled] full-length would bring.

But the similarity of covers between the releases seemed to promise an explosion.

Across social media, that theory seemed to be confirmed. When drummer Rickie Mazzotta was asked if the full-length would be as quiet as the e.p., he said, “that’s porch-sittin’ music. The album is cliff-diving music.”

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Record #558: mewithoutYou – Pale Horses (2015)

In the years following Ten Stories, a few things happened to mewithoutYou.

They added Brandon Beaver, who was a session player on Ten Stories as a full-time member. Then, they went on a special tour to celebrate Catch For Us the Foxes. Finally, they signed to Run For Cover Records, a haven of post-hardcore and punk bands.

You could look at that set of datum and conclude that they were returning to their punkier roots. And you’d be right.

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