Record #590: The Appleseed Cast – Peregrine (2006)

For as long as I’ve been familiar with the Appleseed Cast, I’ve never done a deep dive into their discography. Ten years passed between hearing them on Deep Elm’s Emo Is Awesome/Emo Is Evil compilation and purchasing Low Level OwlIt’s taken me six years to buy anything else in their catalogue.

And when it comes down to it, I basically purchased Peregrine at random while looking at the severe lack of Appleseed Cast in my collection and deciding I needed to do something about it.

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Record #562: gates – Bloom & Breathe (2014)

I was previously unaware of gates when I discovered 2016’s Parallel LivesBut I quickly fell in love with that album’s blend of tender indie rock songwriting and epic post rock composition.

So when my friend Rob offered their debut full-length up in a trade for a copy of my band’s full-length, I took him up on it.

And while Bloom & Breathe is a little less tight than its follow up, there’s a rawness here that makes it just as rewarding.

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Record #549: Alcest – Écailles de lune (2010)

Black metal has been undergoing a bit of a revolution in the last few years. Bands like Deafheaven, Wolves in the Throne Room, and Lantlôs have been augmenting their metal chops with elements of post rock and shoegaze. It’s a simple formula, but surprisingly effective.

But at the forefront of the “blackgaze” movement is a French group called Alcest, who wrote much of the blueprint on their breakthrough record Écailles de lune. 

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Record #548: Metavari – Moonless (2015)

I was first introduced to Metavari as a post rock band (by a friend of mine who later joined the line up). They played the same intricate, introspective instrumental music as bands like Collection of Colonies of Bees, Do Make Say Think, and The Album Leaf.

And when my band was booked alongside them for analecta‘s album release show,  that’s what we went in expecting. But somewhere along the road, bandleader Nate Utesch transitioned the project into a dreamy synth pop. Yet when paired with their post rock sensibilities, they created something incredibly special.

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Record #528: M83 – Hurry Up, We’re Dreaming (2011)

If ever there was a post rock crossover pop hit, it’s M83’s Hurry Up, We’re Dreaming. 

This record debuted at number fifteen on the Billboard Top 200. The bouncing single “Midnight City“, complete with a screaming saxophone solo, was ubiquitous. The group appeared on a number of late night talk show performances. Songs were played in commercials and movie trailers.

This is only made more impressive by the fact that it’s a double album by a band that made their name playing synth-driven drone music.

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Record #520: Collections of Colonies of Bees – Hawaii (2018)

I’m not sure if there are many bands in the indiesphere with a more surprising career trajectory than Milwaukee’s Collections of Colonies of Bees.

Having started out as a bluegrass/electronica side-project (that’s not a typo) of math rock heroes Pele, they became bastions of intricately composed post rock before eventually forming the experimental pop supergroup Volcano Choir with Bon Iver’s Justin Vernon.

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