Throughout their twenty-five year career, MONO have demonstrated time and time again that they are masters of duality. Their best material finds them unifying the gorgeous orchestration of their “neo-classical” brand of post rock and bombastic catharsis that sometimes stretches into metal territory. Their tours have found them accompanied by a full orchestra while sharing bills with the likes of envy and Boris, and those facts never seem to contradict eachother.
On 2014’s two-part release of The Last Dawn and Rays of Darkness, the Japanese masters give each element of their sound a little more room to breathe, spending one album prioritizing their more orchestral ambitions and the other indulging their most fiery impulses. Continue reading