I’ve said on multiple occasions that my musical worldview has a number of blind spots–bands (or sometimes entire subgenres) that have made a mark on pop music that I’m just entirely ignorant of.
Hall & Oates occupy a certain pocket of ‘70s and ‘80s middle of the road soft rock that I’ve somehow missed.
Hall & Oates occupy a certain pocket of ‘70s and ‘80s middle of the road soft rock that I’ve somehow missed.
Of course I’ve heard their name–I’d be hard pressed to miss that. But I’m not sure if I’ve ever knowingly heard them. My friend Dan flipped out when he heard this, so when I found this copy in my mom’s collection, I took it home.
And now that I hear them, I’ve put a name to some of the great pop tunes I still hear on the radio–”Kiss On My List,” “You Make My Dreams,” and “Every Time You Go Away” still have healthy radio airplay, and with good reason. They’re infectious pop tunes with harmonies as sweet as honey. What’s surprising is just how new wavey some of the deep cuts are. Side one features a bunch of moments that clearly took notes from Talking Heads and Duran Duran. But as post-punky as they get, their vocal interplay remains just as sweet and sun kissed as the pop singles. It makes for a surprising first foray into a band’s catalog, but I dig it.
And now that I hear them, I’ve put a name to some of the great pop tunes I still hear on the radio–”Kiss On My List,” “You Make My Dreams,” and “Every Time You Go Away” still have healthy radio airplay, and with good reason. They’re infectious pop tunes with harmonies as sweet as honey. What’s surprising is just how new wavey some of the deep cuts are. Side one features a bunch of moments that clearly took notes from Talking Heads and Duran Duran. But as post-punky as they get, their vocal interplay remains just as sweet and sun kissed as the pop singles. It makes for a surprising first foray into a band’s catalog, but I dig it.
Like most people, my first experience with Future Islands was