Record #929: MØL – Diorama (2021)

I’m not sure exactly who it was that drew such rigid lines around metal. While pioneers like Sabbath and Maiden were wide open to other influences, somewhere along the lines, metal shored itself up and went to war with other music. It’s not just softer styles either—metal fans and hardcore fans often come to blows with one another. Even subgenres within metal itself have split into warring factions.

But there is a growing movement in heavy music in the last decade or so to lay down the purity tests and elitism and infuse a wider range of influences into their work. One of the most exciting acts in this realm that I’ve discovered is the Danish quintet MØL. While they might lazily be tossed under the blackgaze umbrella for lack of better categorization, there’s a lot more going on here than Alcest worship.

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2021: Best of the Year

2021 was a spectacularly immense year for music. It felt like all of the bands who weren’t able to tour last year spent 2020 writing and recording new albums. Then this year, they released them.

With such a flood of new music, it’s worth noting that almost every year end list I’ve seen looks entirely different. Many publications that I could usually predict with decent accuracy (NPR, Pitchfork, etc) listed dozens of albums that I never even heard of. I listened to more music this year than ever before, but I’ve never been so aware of what I was missing. Many albums that I would have/should have liked were released to widespread acclaim (i.e., Quicksand, Every Time I Die, Low, Maybeshewill, Failure, the list goes on) and yet I watched them go by, my attention already stretched to its limits.

In any case, here are the records that really grabbed me this year.

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