Record #972: Mogwai – Come On Die Young (1999)

It’s hard to overstate just how pivotal a release Young Team was. Before that record, the term “post rock” was used to describe a large variety of vaguely experimental groups that drew more from Krautrock and jazz than pop rock traditions: bands like Tortoise, Bark Psychosis, June of 44, even Stereolab.

On the other side of that record though, the term conjures images of heavily effected electric guitars and dramatic songwriting. It was such a sea change that as more bands started using those building blocks to similar effect, they were lambasted as Mogwai ripoffs.

Mogwai themselves seemed conscious of this, and sought to distance themselves. Their sophomore record is still mostly instrumental guitar-based music, but their penchant for increasing the dynamics of the songs until they break apart is largely gone.

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2021: Best of the Year

2021 was a spectacularly immense year for music. It felt like all of the bands who weren’t able to tour last year spent 2020 writing and recording new albums. Then this year, they released them.

With such a flood of new music, it’s worth noting that almost every year end list I’ve seen looks entirely different. Many publications that I could usually predict with decent accuracy (NPR, Pitchfork, etc) listed dozens of albums that I never even heard of. I listened to more music this year than ever before, but I’ve never been so aware of what I was missing. Many albums that I would have/should have liked were released to widespread acclaim (i.e., Quicksand, Every Time I Die, Low, Maybeshewill, Failure, the list goes on) and yet I watched them go by, my attention already stretched to its limits.

In any case, here are the records that really grabbed me this year.

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Record #806: Mogwai – As the Love Continues (2021)

At this point, Mogwai has had a long and illustrious career. They were pioneers of guitar-based post rock, laying the groundwork for hundreds of other bands. As the Love Continues, their tenth album (not including numerous soundtracks and EPs), was released on the 25th anniversary of their very first single.

But even with such an iconic tenure, there’s one thing that’s eluded them: mainstream commercial success. And while they’re not going to be headlining TRL any time soon, that changed this year when a Mogwai fans (including Elijah Wood) started a viral campaign to get their new album to the number one spot of the UK charts.

It worked, but not just because of celebrity endorsement. If ever there was a Mogwai album to peak the charts, it was this one, perfectly encapsulating everything the Glaswegian post rockers do best.

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Record #805: Mogwai – Atomic (2016)

Across their prolific and celebrated career, Mogwai has managed to use their ability to twist music and mood to conjure up narratives that don’t need words to be understood. So naturally, a few filmmakers have come to the Scottish post rock godfathers to help them tell their own stories.

One of these was Mark Cousins, who brought the group on for his documentary Atomic, Living In Dread and Promise, which examined the enormous possibility for both prosperity and destruction that nuclear power brings.

I haven’t seen this documentary. I’m not sure I need to. What I do know is that this album manages to capture the awe and dread of the topic with such clarity that the film might be unnecessary.

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Record #594: Mogwai – Rave Tapes (2014)

Across their storied career, Mogwai have been no strangers to experimentation. Their sonic palette has stretched from cinematic post rock to Krautrock to heavy metal to indie rock.

But rarely do their experimentations last an entire record. But on 2014’s Rave Tapes, the Scottish post rock demigods decided to set aside their trademark bombast and spend an album practicing restraint.

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Record #593: Mogwai – Hardcore Will Never Die, But You Will (2011)

Mogwai’s discography is a bit difficult to sort out. With an enormous catalog and the mythos to match, it can be difficult to get a handle on which records stand out from among the rest of their output.

But I’ve noticed two matters of consensus among the Mogwai fanbase. First, that Young Team is their best album. Second, that Hardcore Will Never Die, But You Will is absolutely fantastic.

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Black Hole Discographies: Sorting It Out

The music world is filled with artists so prolific that it’s almost impossible to keep up with everything they do. But many of these same artists are either so experimental or so inconsistent that it’s almost impossible to know which albums to dive into and which to skip.

Plumbing the depth of their discographies to know which releases are worthwhile and which aren’t worth the time is such an ordeal that you might as well explore in the inside of a black hole instead.

But I’ve been down a few black holes myself, and I have lived to tell the tale. And today, I’ve come to give you some pointers on what discographies are worth plumbing and which are not.

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