Record #1024: Minus the Bear – Planet of Ice (2007)

It makes sense that I’m writing about this album when it’s 18º outside. What makes less sense is how it’s taken me so long to add it to my collection.

It’s not like I’m not a Minus the Bear fan. I saw them with mewithoutYou and Thursday a year before this record and they blew me away. Menos El Oso is one of my comfort records. David Knudson is one of my favorite guitarists, and many of my other favorite guitarists have been influenced by his two-handed tapping technique—and myself.

But as Minus the Bear’s career continued, I lost track of them. When I came back to them, it seemed like their later albums made less of a priority on technique and more on using effects to obscure the instrument entirely. As Menos el Oso had more effects work and less tapping than Highly Refined Pirates, casual listens brought me to the conclusion that the proportion between Menos and Planet of Ice was roughly the same.

Those most have been some casual listens, because I was dead wrong.

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Record #582: Minus the Bear – Menos El Oso (2005)

Minus the Bear is most well-known for their asymmetrical drum rhythms, effects pedal experimentation, and double-handed guitar tapping.

But if you give a casual listen to Menos El Oso, you might miss all that. The group is so comfortable in their experimentation that they use their mad scientist tactics to create a record that might be mistaken for a pretty accessible pop record.

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Record #581: Minus the Bear – Highly Refined Pirates (2002)

In the spring of 2006, I drove to Grand Rapids with my best friend to see mewithoutYou with Thursday. In between the two was a group called Minus the Bear.

I had heard the name before (and kept confusing them for Iwrestledabearonce), but had never heard them. Honestly, I was a little underwhelmed by their almost clinical stage presence, but there was a technical prowess to what they were building that enticed me. And on record, those technicalities blossom into an intricate masterpiece.

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