For their debut full length, math rock monsters Narrow/Arrow offer up a ten track song cycle about how much they hate Ohio.
Who gave them the key to my heart?
For their debut full length, math rock monsters Narrow/Arrow offer up a ten track song cycle about how much they hate Ohio.
Who gave them the key to my heart?
The first time anyone sees Narrow/Arrow, their eyes are drawn to the same thing…Cody Nicolas’ second guitar, clamped to a keyboard stand in front of him. Everyone speculates as to its purpose, but no one is prepared when they see him play both guitars in tandem.
Naturally, that visual is completely lost in an audio format—which is why it’s a good thing that Narrow/Arrow relies more on quality songwriting and composition than on live gimmicks.
Hindsight is a funny thing. In 1999, no one took American Football seriously—at times, it feels like that includes the band. The Urbana, IL locals played a spattering of local shows, but never left the Midwest. They never took the time to recruit a permanent bassist, functioning largely as a studio-only band during their original three-year run.
But in the twenty years that have passed since their eponymous full-length, they have become one of the most influential bands of the Midwest Emo sound, often lauded alongside groups like Jimmy Eat World, Mineral, and Sunny Day Real Estate. “Never Meant” is such a perfect encapsulation of the sound that it’s become a meme.
Minus the Bear is most well-known for their asymmetrical drum rhythms, effects pedal experimentation, and double-handed guitar tapping.
But if you give a casual listen to Menos El Oso, you might miss all that. The group is so comfortable in their experimentation that they use their mad scientist tactics to create a record that might be mistaken for a pretty accessible pop record.
In the spring of 2006, I drove to Grand Rapids with my best friend to see mewithoutYou with Thursday. In between the two was a group called Minus the Bear.
I had heard the name before (and kept confusing them for Iwrestledabearonce), but had never heard them. Honestly, I was a little underwhelmed by their almost clinical stage presence, but there was a technical prowess to what they were building that enticed me. And on record, those technicalities blossom into an intricate masterpiece.
I first saw Pittsburgh’s Lawn Care passing through my local coffeehouse venue. They played a “stripped” set that included two guitars, a bass guitar, and a trumpet. And even in such a minimalist context, they were absolutely hypnotizing.
So when I caught them playing as a full band, I was entranced. I had to have the record.
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Time for another confession: I never listened to American Football until this year.