Record #897: Cold Gawd – God Get Me the Fuck Out of Here (2022)

For all of its neon atmospheres and purple-hued aesthetics, shoegaze is a little monochromatic when it comes to skin tone. The demographics of both shoegaze fans and musicians typically skew a bit more caucasian than their relative populations.

This isn’t a unique phenomenon in alternative, punk, or metal genres, and I’m not here to dissect the myriad of social issues that created it. But to my knowledge, there haven’t been too many notable exceptions in shoegaze (please correct me if I’m ignorant).

But then there’s Cold Gawd. Originally formed as a solo project of lead singer Matt Wainwright, their brand of shoegaze is as equally indebted to genre mainstays like Nothing and Slowdive as R&B artists like Solange and 90s hip hop aesthetics.

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Record #896: Another Heaven – III: The Sorrowful Cries of Birds with Singed Feathers (2021)

The internet has come a long way since I would spend hours scouring forums and record label sites for new bands, frantically downloading songs at the speed of dial-up, and hoping that at the end of the three-hour download, it wouldn’t be that stupid Bill Clinton impression. But if we’re being honest, having instant access to nearly every song ever recorded has brought its own problems.

That’s why it’s so helpful when a new band just plops their music right in front of you.

That’s what happened with Another Heaven (formerly post-punk outfit Hollow Boys) who dropped a track onto the r/shoegaze subreddit a couple years ago with a promise that they were working on an album. I saved the post, but forgot about it until a few weeks ago. And when I went looking for said album, I found three. The most recent (and fully formed) of these was this—a collection of heavy, sludgy shoegaze songs about the apocalypse. You know, the exact stuff I’m into.

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