In the mid 2000s, I’m not sure there was anyone who was safe from Gnarls Barkley and the earworm that was “Crazy.” It was a maniacal track driven by a dark bassline and Cee-Lo Green’s impossibly huge voice—not to mention a pretty great thesis on St. Paul’s writings in 2 Corinthians 2.
And, it was as infectious as all get out.
When I heard that Danger Mouse and James Mercer of the Shins started a band, I had to hear it to believe it. I have long been a huge fan of both, and the prospect of a collaboration set my mind racing with what it might sound like. My curiosity was sated release of of lead single The High Road, with its drunken keyboard intro and gospel-choired refrain, with Mercer’s trademark wordsmithing and melody making, and Danger Mouse’s signature sonic exploration.
My expectations were exceeded.