2021: Best of the Year

2021 was a spectacularly immense year for music. It felt like all of the bands who weren’t able to tour last year spent 2020 writing and recording new albums. Then this year, they released them.

With such a flood of new music, it’s worth noting that almost every year end list I’ve seen looks entirely different. Many publications that I could usually predict with decent accuracy (NPR, Pitchfork, etc) listed dozens of albums that I never even heard of. I listened to more music this year than ever before, but I’ve never been so aware of what I was missing. Many albums that I would have/should have liked were released to widespread acclaim (i.e., Quicksand, Every Time I Die, Low, Maybeshewill, Failure, the list goes on) and yet I watched them go by, my attention already stretched to its limits.

In any case, here are the records that really grabbed me this year.

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Record #798: Five Iron Frenzy – Until This Shakes Apart (2021)

If you would have asked me ten years ago which band’s new album I’d be most excited for in 2021, it would have taken me hundreds of guesses to finally land on Five Iron Frenzy. After all, I first discovered them in 7th grade, and I’d hope to have grown out of goofy ska songs and Pants Operas in the space of twenty-one years.

However, I realize now that all of their wry, irreverent humor was a sort of Trojan horse, through which they smuggled cutting criticisms of the Church’s hypocrisy toward racism, police brutality, and greed into youth group kids’ Discmans.

While these messages have always been hiding amid the upstrokes, horn lines, and bad puns, Until This Shakes Apart pulls off all pretense, abandoning their wooden horse in favor of a full-on frontal assault.

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Record #459: Five Iron Frenzy – Quantity is Job 1 (1998)

quantity is job 1

The year is 2000. I’m a nerdy kid who’s been transitioning from listening to nothing but Weird Al to getting into harder stuff like punk and hardcore.

As much as I loved heavier stuff like Zao and Project 86 (Drawing Black Lines is still an incredible album, fight me), there wasn’t really an output for my wacky sense of humor.

Then, on a youth trip to Washington DC, I discovered ska.

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