Record #530: Mae – Destination: Beautiful (2003)

My sophomore year of high school, I found a great indie/emo band called Sky’s the Limit on Interpunk.com (oh, Interpunk…their website has never been updated, btw). I bought their only release, which was only released on a burned CD-R, and I was spellbound by the intricate guitar work, catchy rhythms, and soaring melodies.

So when I discovered Mae on an old Tooth & Nail compilation, I was attracted to them for many of the same reasons. I bought this album, and was amazed to find a Sky’s the Limit song on itIt was only then that I realized that Dave Elkins was the lead singer and principal songwriter for both of them.

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Record #495: Jeremy Enigk – Return of the Frog Queen (1996)

In 1994, a Seattle hardcore* band called Sunny Day Real Estate released Diary. It was a veritable tour de force of emotional range, led by the otherworldly falsetto of Jeremy Enigk. It lit the underground music scene on fire—it’s even credited by some as the first proper emo album.

Then, as quickly as they had gained prominence, the group broke up. They released one strange, mathy, untitled follow-up, then the group went their separate ways.

A year later, Jeremy released his first solo record. I’m not sure what Sunny Day fans were expecting, but it was not Return of the Frog Queen. Continue reading

Record #482: La Dispute – Wildlife (2011)

wildlife.jpgIn the great scheme of music history, it’s near impossible to talk about La Dispute without mentioning mewithoutYou. And I’m as guilty as anyone in that regard—mewithoutYou has been my favorite band for around thirteen years, and they were the first band to mix hardcore conventions and spoken-word (shouted-word?) vocals that La Dispute also uses.

It was this very relationship that kept me from La Dispute. I dismissed them as derivative—runners-up that sought to usurp of the throne mewithoutYou abdicated when they had their folky phase.

But then, I actually started listening to La Dispute. And brother, they don’t deserve my dismissal.

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Record #476: Death Cab For Cutie – Codes and Keys (2011)

codes and keys.jpgBeing a well-loved indie darling is something of a double-edged sword. You can either suffer in anonymity while your immense talent fails to find the appreciation it deserves, or you can find widespread success and get labeled a sell-out.

And ever since hopping on a major-label with Plansevery new Death Cab For Cutie album has been treated with speculation and dismissal.

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Record #460: Jawbox – For Your Own Special Sweetheart (1994)

for your own special sweetheartIt was tough out here for a punk kid in the early 2000s looking for new music. Internet speeds to support streaming would take years to develop. We had Napster, but we it took hours to download a single song.

My go-to method was to read articles about bands I already liked and pay attention to their influences. And as I pored over articles, three names kept coming up: Sunny Day Real Estate, Fugazi, and Jawbox.

SDRE and Fugazi became instant obsessions. And when I started collecting more seriously, they were among the first discographies I looked for. But somehow, this is the first Jawbox album I’ve added to my collection (barring a CD copy of Novelty I bought on the cheap, and a CD of this album I found at Goodwill).

I can’t tell you why it took me so long to buy this record, but it doesn’t deserve it.

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