Record #193: The Appleseed Cast – Low Level Owl: Vols 1& 2 (2001)

The Appleseed Cast can be a strange beast to pin down. When I first heard them on various Deep Elm Records samplers, they were obviously an emo band. Then in college, when a friend sent me “Fight Song” off of Two Conversations, I put it on my indie rock playlist in iTunes.

Then most recently, the drummer in my band referred to them as one of his favorite post rock bands. And now, as I’ve rediscovered their magnus opus, a sprawling two volume opus on three discs, I’ve found that none of those are that far off.

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Record #188: Fugazi – Red Medicine (1995)

Even with as long as I’ve listened to Fugazi, I am almost completely unfamiliar with Red Medicine. In fact, the only thing I hear when I think of the album is the super-gained choppy intro and the chorus of opener Do You Like Me? Purchasing the vinyl (and cassette! Gotta love overstock on record companies’ websites) was an act intended to force me to spend time with the record. Well, that and to fill in the two gaps in my collection (Steady Diet of Nothing, I’m coming for you).

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Record #178: Fugazi – 7 Songs (1988)

Every so often, a band comes around that is simply the best at what they do, and there’s nothing anyone can do to argue against it. They carry the unstoppable combination of immeasurable talent and fearless experimentalism that makes them legends in their own right and inspire countless others to follow in their footsteps. The Beatles were that kind of band. Radiohead still is (I’ll fight anyone who says King of Limbs wasn’t great). And friends, if you don’t already know, Fugazi was that kind of band. If you know nothing about Fugazi, just know that Fugazi was the Radiohead of punk rock.

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Record #123: Death Cab For Cutie – Transatlanticism (2003)

transatlanticism.jpgOf all of the DCFC-disparaging hipsters I know (which I have become on their latest release), I don’t think I’ve heard any of them say a word about Transatlanticism.
That’s probably as much because the record is as close to perfect as any emo-leaning indie band has gotten as it is because every single one of them owned this record when they were in high school and still secretly love it.  Continue reading