Record #982: Blushing – Sugarcoat (2024)

The last two times I’ve reviewed a Blushing record, I talked a lot about the tightrope that shoegaze acts have to walk between capturing the archetypal early 90s sounds of the genre and finding their own voice. By their third full length, Blushing walks this balance so deftly that mentioning it would be a moot point.

Sugarcoat offers up the same sweet, dreamy songcraft that the group has made their career on, but there’s a palpable confidence here. They’re even more fluent, and the vocabulary sounds more comfortable in their mouths.

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Record #834: Blushing – Possessions (2022)

Shoegaze often has a problem with valuing style over substance. The genre is primarily built on hazy aesthetics and a collection of pet sounds copped largely from My Bloody Valentine and their contemporaries. The modern shoegaze scene is filled with bands pumping out songs that wouldn’t be worth a damn without their Instagram-ready pedalboards, and the fans that support them. And I’d know: I’m one of those fans.

Luckily, Texas quartet Blushing manages to nail the Platonic ideal of the shoegaze aesthetic without skimping on fresh songwriting and composition.

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Record #708: Blushing – Blushing (2019)

Last year, I caught the crest of the hype-wave for Blushing as it was cresting. I listened to it on Spotify, fell in love, and upon finding that the vinyl was way out of my budget, I put them away, trying to forget about them. That is until this week, when my friend Rob included it in an order of cassette tapes from his label, Friend Club Records. So now, I get to fall in love with this record all over again.

I know what you might be thinking—does this guy really need another shoegaze record? And it’s true that for many of the trend-chasing bands in the so-called shoegaze revival scene, the most important part of the genre is the aesthetic. Sometimes, it seems like these bands would rather have an excuse for guitar fuzz or reverb pedals than offer songs with any real compositional fiber.

And truth be told, I love a lot of those bands. I will gladly sit through forty-five minutes of pedalboard demonstrations put to wax, and then I’ll buy it on vinyl. I’m easy to please.

But while Blushing might often get mentioned in the same breath as a lot of the say-nothing revivalists, they don’t just hit the aesthetic of shoegaze. They have the songs to back it up.

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