Record #741: Alcest – Le Secret EP (2005/2011)

Even legends have to start somewhere. Through years of bouncing around the European black metal scene, Neige was dissatisfied with the ability of the kvlt to properly express what he had to say. Between other projects, he spent his time crafting otherworldly overtures that transcended the narrow confines of traditional black metal. In 2005, he released a pair of tracks under the name Alcest, a name he had used for another project as a teenager.

But Le Secret, that first EP, sounded nothing like the scorched-earth, burnt-church trad-black of his previous band. In fact, it didn’t sound much like anything else that had been released up to that point. The 2011 rerelease, reissued upon the success of the incredible Écailles de Lune, features rerecorded versions of each track with more resources to fulfill his original vision. But even in the face of the clearer versions, this EP demonstrates that Neige’s idea of what he meant Alcest to be has been unchanged from the beginning.

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Record #678: Amesoeurs – Amesoeurs (2009)

For all the impact its had on the global metal landscape, the French blackgaze scene is dominated by a small handful of projects. Perhaps the two most important are Les Discrets and the incomparable Alcest. And in Amesoeurs (French for “soulmates”), Fursy Teyssier of Les Discrets joins forces with Neige of Alcest, Audrey Sylvain of Peste Noire (the female voice on Alcest’s debut), and Winterhalter, who would go on to be a member of both Les Discrets and Alcest.

Amesoeurs, the group’s only album, stretches the limits of black metal in a similar way that Alcest and Les Discrets do, but in this project, they meld its hellish fury with the dark moodiness post punk more than glistening joie de vivre of post rock or the somnambulant heaviness of shoegaze.

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Record #639: Alcest – Spiritual Instinct (2019)

If history is kind (and accurate) it will remember Alcest as one of the most important metal bands of all time.

After all, the flood of bands fusing the passion of black metal with the textures of shoegaze and the drama of post rock (see: Deafheaven, Oathbreaker, Brutus) are taking pages from their playbook. Their debut EP Le Secret fused these elements together in a way that many bands are still using as a blueprint—and it came out in 2005. 

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Record #579: Astronoid – Astronoid (2019)

When I first heard Astronoid’s debut record AirI was spellbound. Their particular brand of genre-bending heavy metal (which they call “dream thrash”) had all of the punishing heaviness of traditional thrash but with an tender, life-affirming heart. It’s blast beats and hairspray-soaked guitar solos were paired with dreamy melodies and anthemic harmonies.

But knowing that lightning rarely strikes the same place twice, I was a little apprehensive when I saw they were releasing a new record. Could the gimmick really pay off again?

The answer is, “yes, and handsomely.”

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Record #573: Astronoid – Air (2016)

If you’ve been following along at all, you’ve probably noticed that I have a deep love for weird metal. Particularly, heavy metal that looses itself from the macho tropes that have conventionally marred metal music and stretches beyond the rigid confines of the genre. Bands like Alcest, Deafheaven, Isis, Spotlights…the list goes on.

The Boston outfit Astronoid hits every single one of those buttons—and then some.

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Record #549: Alcest – Écailles de lune (2010)

Black metal has been undergoing a bit of a revolution in the last few years. Bands like Deafheaven, Wolves in the Throne Room, and Lantlôs have been augmenting their metal chops with elements of post rock and shoegaze. It’s a simple formula, but surprisingly effective.

But at the forefront of the “blackgaze” movement is a French group called Alcest, who wrote much of the blueprint on their breakthrough record Écailles de lune. 

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