I have a working theory that in any piece of music, most lay listeners primarily hear the vocals. The strongest case for this idea was at Furnace Fest ’21, where the “dream-thrash” band Astronoid, a band known for their blistering riffs, fiery solos, and blastbeats galore were booked on the stage reserved for the quieter bands.
But even so, Radiant Bloom might stand to challenge even those listeners, as Astronoid offers up the most brutal instrumental performance of their career.
As we sit on the cusp of a new year—and a new decade—it’s become customary to look back and quantify all of the music produced into a neat little list of what’s noteworthy.
While these lists are always bound to vary from person to person and between publications, I’m not sure I’ve ever seen so much variation as in 2019. This year was an undeniable banner year for music, with excellent release after excellent release piling up relentlessly without ceasing. If you slipped behind, there was no hope of catching up.
As I look back on the year, I keep being surprised by all the stuff I missed—either ubiquitous barn burners like Lizzo or Lana Del Ray’s NFR or artists I love like Solange and Deerhunter. Even among releases I loved and purchased, quantifying all of it into a top ten list proved a much more difficult task than most years.
And so, as much as I stand by this list, I’m fully aware how flawed a ranked top whatever format is for describing just how magnanimous this year’s musical output was.
When I first heard Astronoid’s debut record Air, I was spellbound. Their particular brand of genre-bending heavy metal (which they call “dream thrash”) had all of the punishing heaviness of traditional thrash but with an tender, life-affirming heart. It’s blast beats and hairspray-soaked guitar solos were paired with dreamy melodies and anthemic harmonies.
But knowing that lightning rarely strikes the same place twice, I was a little apprehensive when I saw they were releasing a new record. Could the gimmick really pay off again?
The answer is, “yes, and handsomely.”
If you’ve been following along at all, you’ve probably noticed that I have a deep love for weird metal. Particularly, heavy metal that looses itself from the macho tropes that have conventionally marred metal music and stretches beyond the rigid confines of the genre. Bands like Alcest, Deafheaven, Isis, Spotlights…the list goes on.
The Boston outfit Astronoid hits every single one of those buttons—and then some.