2020 Year End

For all of the personal, political, and global calamity of the hellacious year that was 2020, there was a lot of great music that came out. Like…a LOT. 

It makes sense: with tours, festivals, and live shows canceled, most bands turned to the studio instead. The result is perhaps the most challenging year to quantify into a nice, neat list.

But that hasn’t stopped me from trying.

And while I often cop out and just make a list of all the music I’ve purchased, this year is difficult because I’ve purchased all of this music this year, on one format or another.

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Record #711: American Arson – A Line in the Sand (2020)

Last year at Audiofeed, I accidentally found myself spending an awful lot of time near the American Arson merch table. They were situated in the shade right between the main stage and the impromptu stage where many of my friends (and my own projects) had claimed slots, and so as I killed time between sets, I talked a fair amount with Jesse and Evan, the only two members of American Arson.

When the time came for their set, they had already described  their sound to me, but descriptions alone could not have prepared me for the blistering onslaught of hardcore energy, lush walls of sound, intricate compositions, and singalong choruses—pulled off by two people using a combination of live loops and samples.

But as their recent full length proves, their appeal goes far beyond the spectacle of watching them build these songs live. A Line in the Sand captures every single element that drew my ear to them in the first place—both musically and personally.

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