In 1994, a Seattle hardcore* band called Sunny Day Real Estate released Diary. It was a veritable tour de force of emotional range, led by the otherworldly falsetto of Jeremy Enigk. It lit the underground music scene on fire—it’s even credited by some as the first proper emo album.
Then, as quickly as they had gained prominence, the group broke up. They released one strange, mathy, untitled follow-up, then the group went their separate ways.
A year later, Jeremy released his first solo record. I’m not sure what Sunny Day fans were expecting, but it was not Return of the Frog Queen. Continue reading
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