In a perfect world, bands that release great singles will be able to release great albums. Nowhere is this made more apparent than the Eagles’ discography.

I’ve always found it curious how a group made up of some of the most talented songwriters in the world couldn’t write more than half an album worth of good material at a time (or more than half a song of good material, as evidenced by the Hotel California album). Thankfully, someone had the good sense to take all the good bits and make an entire record out of it. Generally, I oppose greatest hits compilations, but this is the Eagles we’re talking about. I’d gladly overlook my no-greatest-hits rule to hear songs like Witchy Woman (their best song) or One of These Nights without being interrupted by filler. The Eagles may have been largely corporate hacks, but there’s no denying: some of the best songwriters in the world were in this band. They just weren’t super consistent. These songs distill the best parts of California country and disco into a cohesive, hit-making elixir. Take It Easy? An effortless classic. Desperado? A timeless ballad. Witchy Woman? I already told you–it’s their best song. Everything about it is perfect. Peaceful Easy Feeling? One of the gentlest–nay, most peaceful and easiest songs in the classic rock canon. Sure, after this they went on to become self indulgent parodies of themselves, but for these wonderful ten tracks (well…Take it to the Limit is a little weak), the Eagles were never better.