While there’s no shortage of ambience and prettiness in post rock, Hammock outdoes all of their contemporaries on Maybe They Will Sing For Us Tomorrow, an hour long album free of any sort of rhythm.
None. No percussion, no lead lines. One hour of nothing but spaced out chord swells. It’s a huge gamble, and it’s one that pays off.
Instead of boring, the album plays as sixty minutes of absolute serenity.
Which isn’t to say there isn’t any tension–the album starts to pick up steam as it goes on, the reverberated guitars pushing the amps to their breaking point, achieving the same affect as other instrumental outfits with half the sonic palette.
Instead of boring, the album plays as sixty minutes of absolute serenity.
Which isn’t to say there isn’t any tension–the album starts to pick up steam as it goes on, the reverberated guitars pushing the amps to their breaking point, achieving the same affect as other instrumental outfits with half the sonic palette.