Record #977: Blanket – Ceremonia (2024)

Where do you go after love at first sight? The first time I listened to Blanket’s Modern Escapism, I was head over heels. I ordered a vinyl copy before I had even finished the second track, and I listened to it on repeat for weeks.

So when I saw news of the follow up, I rushed to preorder it. But after the first couple singles, I started to hesitate. They were poppier and more straightforward, with little remnant of the crushing heaviness that drew me in the first place. In fact, I even canceled my preorder at one point, only to re-preorder it at the next single.

And boy, am I glad I did. While it certainly has a directness and pop sensibility that contrasts with Modern Escapism, the record offers a holistic look at the wide expanse of 90s alt rock filtered through modern shoegaze.

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Record #976: High on Fire – Snakes for the Divine (2010)

For all of the variety within metal and its various subgenres, perhaps no two camps are further apart than doom and thrash. Doom metal is slow and plodding, its tempo held back by the immense mass of its heaviness. Thrash, on the other hand, is brutally fast, like a motorcycle strapped with machine guns.

And at the center of this dichotomy is Matt Pike. After rising to prominence in the legendary stoner doom band Sleep, he formed the thrash project High on Fire. And while there’s still plenty of stoner metal crossover here, the tempo is a good eight times faster than anything Sleep ever did. Snakes for the Divine is a riffy, smokey record that stands up to even the thrashiest of thrash classics.

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Record #975: Meltway – Nothing is Real (2024)

May be an image of record player and text that says 'meltway LP1 LP2'

I have no shortage of fellow music nerds sending me recommendations. But perhaps no one has the shooting average of my friend Richard. Richard and I met in a vinyl group on Facebook when I was trying to sell a Sigur Rós box set. He didn’t buy it, but he recommended me the band EF. Since then, we’ve exchanged recommendations back and forth, and he has hit far more than he has missed.

The most recent hit—and what a hit it was—was the most recent album from Danish/Norwegian shoegaze outfit Meltway, Nothing is Real, as dreamy and noisy as any record this side of the early nineties has gotten.

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