Record #878: Duster – Together (2022)

In a day and age where anyone with a smartphone can record an album themselves and distribute it around the world for free, it’s easy to forget the depths of obscurity that the cult bands of yesteryear trudged through.

Take for instance the slowcore outfit Duster, whose two full lengths in 1999 and 2000 received very little attention at the time. But with the emergence of social media and streaming, the few devoted fans of those records started finding each other and spread the word of Duster like gospel. The cult grew so much that eighteen years later, the band reunited, reissuing those two LPs and writing new ones.

And they haven’t missed a beat. Together, their second record since resurrecting, finds the band playing their personal brand of spaced-out, hazy slowcore with so much conviction that you might expect them to have been released twenty years ago.

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Record #877: Incubus – A Crow Left of the Murder (2004)

I don’t remember the events that led to me acquiring this CD as a seventeen year old. I don’t know if there was a music video I saw or a friend who grabbed me by the lapels and forced me to listen to it. Maybe I just saw the psychedelic album art and a band name I recognized and bought it blind.

In either case, this album of mystical, vaguely funky alt-rock managed to capture my attention when I was up to my ears with bands like Thrice, Thursday, Sunny Day Real Estate, and Fugazi. And now, eighteen years later, it still holds up.

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Record #875: CATERPILLARS – Frontier for the Fallen (2022)

I spent much of my adult life trying to separate myself from the word “emo.” Sure, part of that was an effort to grow beyond my adolescent self, but the much larger part was a protest to how the word had been stolen by the guylinered mallcore bands of the mid-aughts that I had no interest in at all.

But the truth is, no matter what My Chemical Romance and Panic! At the Disco did with culture’s idea of emo, that doesn’t change my deep love of bands like Sunny Day Real Estate, Mineral, Further Seems Forever, et al.

The last several years, I’ve discovered I’m not alone in that. Much of this is due to an online community called Midwest Emoposting, which introduced me to scores of folks with the same idea of what emo should be, which reignited my deep love of the genre. That also introduced me to a number of bands carrying that flame, such as CATERPILLARS, whose new album Frontier For the Fallen is a masterclass in propulsive, sweeping, emotive songcraft.

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