The Worst Debuts From Great Bands

There’s a certain art to a good debut.

On the one hand, the debut has to be captivating enough that it can stand as a self sufficient statement on its own. On the other, there has to be enough untapped potential to keep future releases from getting stale. It’s generally a bad idea to just keep releasing the same record over and over again.

But sometimes, even great artists whiff it at their first at-bat. In fact, some of the artists responsible for some of the most gorgeous music ever started their careers with albums that barely have even have a glimmer of what they would go on to create.

Disclaimer: not every album on this list is bad per se. They just fail to offer any sort of representation of what the band would be capable of.

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Record #717: Deftones – Ohms (2020)

It took me a while to get into the Deftones. The ebbs and flow of my opinion of them are well-documented on my social media: a few years ago, I took it upon myself to figure out how I felt about them once and for all, and dove headlong into their discography, taking detailed track by track notes of each album, which shift between aggressive alternative metal and dreamy shoegaze. Their discography sometimes feels like a fight between these extremes, heavy riffs sitting uneasily against the more billowing songs on the tracklist.

But here, Deftones frontman and admitted The Cure fanboy Chino Moreno opens the record singing, “I’ve finally achieved balance.” And then the band spends an entire album proving that they’ve one just that. Over thirty years into their career, Ohms might be the most cohesive and consistent record in their catalog.

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