![ege bamyasi](https://ayearofvinyl.files.wordpress.com/2018/01/ege-bamyasi.jpg)
Because friends, there have been terrabytes written on their importance and influence.
The lion’s share of that code is occupied with musings on this album.
The way the legend is told, it took Jeff Lynne some time to properly align his project with his imagination. It wasn’t until this, his fourth album, that the Electric Light Orchestra actually used an orchestra in its recording. The result is ELO’s first great record. While Lynne’s songcraft and pop mastery have always been apparent, the addition of an orchestra brought the lushness that would make ELO legendary.
The early 80s were famous for great post-punk lead singer/guitarist duos. Bono & The Edge, Morissey & Johnny Marr, Ian McColluch & Will Sargeant…wait, what do you mean you’ve never heard of Ian & Will?
That, my friend, is a tragedy, and I’m sorry that society has largely ignored Echo & The Bunnymen, who remain one of the most under-heard bands of all time.
For being psychedelic mainstays, the Doors are tragically unhip among certain musical circles.
A lot of that has to do with “Hello, I Love You,” a hokey, clumsy pop single released by a band that just the year earlier released two classic albums in the psychedelic canon. It has always been my least favorite Doors single (well…excepting their cover of Backdoor Man).