Compared to its landmass, Canada has a rather miniscule population. It’s a wonder then that two of the hardest hitters in indie rock call the Great White North their home. Arcade Fire, which often includes the entire music scene from Montreal, is the premier Canadian indie band, but in my opinion, Broken Social Scene (or, Everyone From Toronto Who’s In A Band) is the country’s true national treasure.
If you don’t know BSS, all you need to know is that the Associated Acts section of their Wikipedia page is rivaled only by the Members section (notable members include Feist and all of Stars and Metric), and that the group doesn’t get together all that often, but when they do, magic happens (as evidenced by every full length).
Forgiveness Rock Record is, outside of the context of their discography, an album filled with stage-crowding ensembles, gang-sung lyrics, glistening guitars, and shimmering electronics. A steady pop-ready four four leads most of the record, balancing noise collages and horn freakouts, becoming almost kraut-ish in places. But the record’s greatest asset is the combined skill and knowhow of the ensemble, which keeps the record’s sixty-three minutes from ever getting boring, or anything less than good. A great record from a bunch of people who know how to make great records.
Forgiveness Rock Record is, outside of the context of their discography, an album filled with stage-crowding ensembles, gang-sung lyrics, glistening guitars, and shimmering electronics. A steady pop-ready four four leads most of the record, balancing noise collages and horn freakouts, becoming almost kraut-ish in places. But the record’s greatest asset is the combined skill and knowhow of the ensemble, which keeps the record’s sixty-three minutes from ever getting boring, or anything less than good. A great record from a bunch of people who know how to make great records.