Record #514: Beach House – 7 (2018)

Throughout their career, Beach House has consistently written textbook-perfect dream pop. Teen Dream is a bonafide masterpiece. It topped nearly every 2010 year-end list, and with good reason. Bloom was similarly brilliant.

When Depression Cherry dropped in 2015, it hit all of the same notes. But I started wondering if the world needed another Beach House record. Two months later, they released Thank Your Lucky Stars, and the question got louder.

Now that they’ve released their seventh LP, the music world is left pondering this quandary once again.

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Record #98: Beach House – Bloom (2012)

I’m back from vacation and in a new house with a slew of new records under my arm and the hi-fi set up in the living room. I’m ready to get on with this project.

First record back onto the saddle is Beach House’s new release, Bloom. As I mentioned earlier, Beach House makes some of the best dream pop around these days, existing in “the sweet spot between pop music and chill music where God intended dreampop to live,” (from my review of Teen Dream, way back on record #26). Bloom’s predecessor is one of my favorite records ever, a cloudy masterpiece of effervescence and ambiguity. Bloom has certain similar qualities; the sound of the record is nearly identical–nothing here would sound out of place on Teen Dream or vice versa–the same droning synthesizers and glassy slide guitars carry Victoria Legrand’s smoky, androgynous voice through the thick reverb coating the record.

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